A Photographer’s Life of Love and War
Every year between Christmas and New Year’s, my now husband and I travel to Greenville, South Carolina to stay with his aunt, uncle and cousins for the holiday season. Given that my husband, Ben, and I met while working in a library, it is well known to his family that I love books and his aunt keeps me apprised of all the bookstore goings on in Greenville. This past year, they moved to a condo with in walking distance to my new favorite bookstore, M. Judson Booksellers. I walked there every day of our visit. On the first day, I noticed a beautiful, heavy hardcover sitting on their future page-to-screen display. As someone who gets a discount at my own indie bookstore, I spent the week debating whether or not I had to have It’s What I Do, or if I could wait until I got home. Turns out, I couldn’t wait.
Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making – not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.
Addario finds a way to travel with purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.
Addario takes bravery for granted but she is not fearless. She uses her fear and it creates empathy, that is essential to her work. We see this clearly on display as she interviews rape victims in the Congo, or photographs a fallen soldier with whom she had been embedded in Iraq, or documents the tragic lives of starving Somali children. Lynsey takes us there and we begin to understand how getting to the hard truth trumps fear.
As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys’ club of a profession. Rather than choose between her personal life and career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.
Whoa. Literally, just whoa. For someone who has lived a fairly sheltered life in Pennsylvania for my entire existence, it blows my mind how people can just pick up at a moment’s notice and not just go on an adventure, but go to a war-ravaged country that is most certainly on the state department’s travel advisory list. But time and time again, that’s what Lynsey does.
When I picked up It’s What I Do, I was on a biography/autobiography kick, having just finished Notorious RBG, and I was looking for some inspiration as I tried/am still trying to figure out what it is I want out of my life. And while I certainly want adventure, I don’t think I’m quite cut out for Lynsey’s level of adventure, but let me step back a bit.
In 2014, my sister moved to Washington D.C. right after her college graduation. When Ben and I went to visit her, we planned a little mini trip, which included a visit to an old favorite, the Library of Congress, and a new spot, the Newseum. While I never considered journalism as a career, I’ve followed Christiane Amanpour since she first was referenced on Gilmore Girls, I am a perpetual student of political science, and I am an obsessive news junkie. So needless to say, the decision to go to the Newseum was a no-brainer. While there, I learned about the numerous and life-threatening risks journalists take to bring the information they have gathered back to us. And when they travel to dangerous places, they are traveling as members of the press, but more importantly, not as soldiers or military personnel, but as civilians.
Lynsey Addario rarely hesitated when making the decision to go overseas to follow a breaking story/event. All I can say is that her story is simply amazing and I have been recommending It’s What I Do left, right and center at the bookstore. I’ve found every excuse and opportunity to display it, to share it, to talk about it – I even forced my mom into a copy and she doesn’t read anything but Baldacci and spy thrillers (though I sold it to her as a real-life spy thriller). If you are in a reading slump, or just need some motivation to get up in the morning, It’s What I Do is the book for you.
Rating: 10 out of 10 stars