I began reading The Girl with the Dragon Tattoo after the movie was announced (though before watching it) after one of my friends recommended it. Based on my knowledge of the friend who offered the recommendation, it was nothing as I expected.
It’s about the disappearance forty years ago of Harriet Vanger, a young scion of one of the wealthiest families in Sweden… and about her octogenarian uncle, determined to know the truth about what he believes was her murder.
It’s about Mikael Blomkvist, a crusading journalist recently at the wrong end of a libel case, hired to find the underlying cause of Harriet’s disappearance… and about Lisbeth Salander, a twenty-four-year-old pierced and tattooed genius hacked possessed of the hard-earned wisdom of someone twice her age – and a terrifying capacity for ruthlessness to go with it – who assists Blomkvist with the investigation. This unlikely team discovers a view of nearly unfathomable iniquity running through the Vanger family, astonishing corruption in the highest echelons of Swedish industrialism – and an unexpected connection between themselves.
I don’t read mysteries or thrillers for fun. They freak me out and give me nightmares. I have a great deal of difficulty getting the villain out of my head. It’s even worse when they’re exceptionally well crafted and convincing, as is the case in The Girl with the Dragon Tattoo, the first in Stieg Larsson’s Millennium series.
I typically try to read a book before I see the adaptation and I really wanted to see the movie (my hang-ups with thrillers mentioned above don’t seem to apply to film) so figured that I should read the book first because there was a good chance I would miss some important detail throughout the course of the movie (which is probably why I love, but can rarely follow, Bond films – I’m never paying enough attention). However, to understand the world in which Vanger, Blomkvist and Lisbeth are living, I needed a crash course in Swedish elitist politics or I would miss something important.
Never had I done so much research before reading a work of fiction, but I knew going into the book that I had to familiarize myself with a society that differed from my own to understand the actions and behaviors of the characters, particularly the secondary ones. But what really drew me to The Girl with the Dragon Tattoo is the girl herself, Lisbeth Salander.
Lisbeth is a ward of the state, an orphan with a traumatic background, declared mentally unstable which puts her finances, and therefore life, into the hands of a court appointed guardian – a rare kind man who unfortunately suffers a stroke at the start of the book. The man who replaces him, Nils Bjurman, is quite the opposite.
Lisbeth is highly aggressive towards those who abuse women and when Bjurman forces her into submissive and degrading positions to procure her pre-determined allowance. The revenge she takes on him is magnificently cruel and degrading, equal to the treatment he forced upon her. Lisbeth is fierce, and perhaps more than a little crazy, but her talents are unequaled in the art of hacking and manipulation. But her heart is pure, hidden though it may be, and she is capable of suffering heartbreak, despite her cold exterior and extremely introverted personality. Lisbeth is the heart and soul of the book and without her, the corporate espionage and possible murder plots mean little.
Rating: 7 out of 10 stars
Edition: Mass Market Paperback • $9.99 • 9780307949486 • 644 pages • first published in English in September 2008, this edition published November 2011 by Vintage Books • average Goodreads rating 4.11 out of 5 stars • read in January 2011