Fiction, Thriller

The Girl with the Dragon Tattoo by Stieg Larsson

I began reading The Girl with the Dragon Tattoo after the movie was announced (though before watching it) after one of my friends recommended it. Based on my knowledge of the friend who offered the recommendation, it was nothing as I expected.

Synopsis

It’s about the disappearance forty years ago of Harriet Vanger, a young scion of one of the wealthiest families in Sweden… and about her octogenarian uncle, determined to know the truth about what he believes was her murder.

It’s about Mikael Blomkvist, a crusading journalist recently at the wrong end of a libel case, hired to find the underlying cause of Harriet’s disappearance… and about Lisbeth Salander, a twenty-four-year-old pierced and tattooed genius hacked possessed of the hard-earned wisdom of someone twice her age – and a terrifying capacity for ruthlessness to go with it – who assists Blomkvist with the investigation. This unlikely team discovers a view of nearly unfathomable iniquity running through the Vanger family, astonishing corruption in the highest echelons of Swedish industrialism – and an unexpected connection between themselves.

Review

I don’t read mysteries or thrillers for fun. They freak me out and give me nightmares. I have a great deal of difficulty getting the villain out of my head. It’s even worse when they’re exceptionally well crafted and convincing, as is the case in The Girl with the Dragon Tattoo, the first in Stieg Larsson’s Millennium series.

I typically try to read a book before I see the adaptation and I really wanted to see the movie (my hang-ups with thrillers mentioned above don’t seem to apply to film) so figured that I should read the book first because there was a good chance I would miss some important detail throughout the course of the movie (which is probably why I love, but can rarely follow, Bond films – I’m never paying enough attention). However, to understand the world in which Vanger, Blomkvist and Lisbeth are living, I needed a crash course in Swedish elitist politics or I would miss something important.

Never had I done so much research before reading a work of fiction, but I knew going into the book that I had to familiarize myself with a society that differed from my own to understand the actions and behaviors of the characters, particularly the secondary ones. But what really drew me to The Girl with the Dragon Tattoo is the girl herself, Lisbeth Salander.

Lisbeth is a ward of the state, an orphan with a traumatic background, declared mentally unstable which puts her finances, and therefore life, into the hands of a court appointed guardian – a rare kind man who unfortunately suffers a stroke at the start of the book. The man who replaces him, Nils Bjurman, is quite the opposite.

Lisbeth is highly aggressive towards those who abuse women and when Bjurman forces her into submissive and degrading positions to procure her pre-determined allowance. The revenge she takes on him is magnificently cruel and degrading, equal to the treatment he forced upon her. Lisbeth is fierce, and perhaps more than a little crazy, but her talents are unequaled in the art of hacking and manipulation. But her heart is pure, hidden though it may be, and she is capable of suffering heartbreak, despite her cold exterior and extremely introverted personality. Lisbeth is the heart and soul of the book and without her, the corporate espionage and possible murder plots mean little.

Rating: 7 out of 10 stars

Edition: Mass Market Paperback • $9.99 • 9780307949486 • 644 pages • first published in English in September 2008, this edition published November 2011 by Vintage Books • average Goodreads rating 4.11 out of 5 stars • read in January 2011

Stieg Larsson’s Website

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Girl with the Dragon Tattoo

 

Fiction, Historical, Young Adult

Scarlet trilogy by A. C. Gaughen

I’d been debating picking this book up for a while and decided to just go ahead and order it. I flew threw it – I definitely should have started it sooner! It has now led to me re-watching all the Robin Hood adaptations I love – starting with the BBC series.

Scarlet Synopsis

Will Scarlet is good at two things: stealing from the rich and keeping secrets – skills that are in high demand in Robin Hood’s band of thieves, who protect the people of Nottingham from the evil sheriff. Scarlet’s biggest secret of all is one only Robin and his men know… that the slip of a boy terrorizing the sheriff’s men is really a girl. Her real identity is in danger of being exposed hen the thief taker Lord Gisbourne arrives in town to rid Nottingham of the Hood and his men for the last time. As Gisbourne closes in, Scarlet must decide how much the people of Nottingham mean to her, especially John Little, a flirtatious fellow outlaw, and Robin, whose quick smiles have the rare power to unsettle her. There is real honor among these thieves and so much more – making this fight worth dying for.

Review

Scarlet took a bit getting used to – her voice is that of a lower-class English girl and A. C. Gaughen writes in completely in first person, from Scarlet’s point of view. Once I could read fluently without lamenting her accent, it was a delight to read. Who is Scarlet and why is she so fearful of Gisbourne? What secrets does her past hold that makes Robin Hood fearful of trusting her? All valid questions, all artfully dodged by the cunning and clever Scarlet.

Scarlet is a love story, an adventure tale, a re-imagining of a tale the English-speaking world grew up with and it is crafted with love and is masterfully told. I, like A. C. Guaghen, never really cared for wimpy, washed out Marion – her character was never fully developed and always full of insipid flaws. Why should the beloved Robin Hood be stuck with a fair maiden he has to save over and over? How can she be a real partner to him if she can’t manage to do anything more than cower behind him or run away? Scarlet is the answer – a strong female character for the testosterone filled bardic tales of Robin and his Merry Men. It’s always all about the men but hopefully Scarlet can change that!

What I truly love about her, though, is she is completely female. When she gets upset, she’s not above tears (though she tries to avoid them) and sometimes, she just wants a little comfort. She doesn’t seek to play games with the guys, she’d honestly prefer they just ignore the fact that she’s a girl, but when push comes to shove, she must admit what she truly feels, to both herself, and the band. And she does it in a way that isn’t sappy and is thoroughly courageous.

I flew through (most of) Lady Thief and Lion Heart in 3 days. I just had to know what happened and I’ll try my best to review sans any major spoilers. It took me awhile, when starting Lady Thief, to get back into the swing of Scarlet’s accent and then as soon as I did, I pulled a classic “great book, can’t stop reading” all-nighter to finish it as soon as I possibly could! As it had been a year since I read the first book in the trilogy, Scarlet, I hoped that Lady Thief and Lion Heart would really flesh out Scarlet as a character as well as all the Merry Men and her relationship with Robin Hood.

Scarlet is forced, from the start of Lady Thief to make a next to impossible choice regarding her marriage to the despicable Gisborne: stay with him for a fortnight and he’d grant her an annulment or be hunted down for the rest of her natural life. Things are not easy with the less-than-Merry Men and Scarlet does everything she can to build a better future for them, even if it means acquiescing to Gisborne for a short period of time. Alas, trouble still finds Scarlet in the form of the evil and impish Prince John and Scarlet is scarred both physically and emotionally by their encounter. But not even the clever Scarlet and Rob can predict the prince’s conniving actions and Scarlet lands herself accused of a crime that appears to benefit her, but that she clearly did not commit, and on her way to prison at the start of Lion Heart. The kindness of the Queen Mother pulls her out of the prince’s clutches and Scarlet and her beloved Rob must, once again, do everything in their power to rebuild and reclaim their home in Nottingham.

The twists and turns of the characters’ actions are amazing and so many terrible things have happened to them that when someone good finally seems to be taking shape, I was constantly turning the pages waiting for the inevitable catastrophe that would ruin the happiest of happy moments. Beloved characters will die, others will be forced to make impossible decisions, but ultimately Gaughen demonstrates just how scarlet Scarlet can get and how that rage and anger she’d been holding inside is finally unleashed to wield good and positive power for the people of Nottinghamshire. My only criticism is that the ending felt a bit rushed, but I was glad that the last bit of thievery wasn’t drawn out or over-extended, I wanted to know that Scarlet and Rob would finally have a slightly less difficult time (one can’t quite call it a happy ending) in Nottingham!

Rating: 8 out of 10 stars for series

Scarlet Edition: Paperback • $9.99 • 9780802734242 • 292 pages • first published February 2012, this edition published February 2013 by Walker & Company • average Goodreads rating 3.96 out of 5 • read in July 2014

A. C. Gaughen’s Website

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Scarlet

Fiction, Historical, Young Adult

The Book Thief by Markus Zusak

I finally realized why I read so many books about young women during World War II. My grandmother grew up in Nürnberg during this time and she has never spoken about her childhood. From what my father has told me about her experiences, I wouldn’t talk about it either. I read so many books because I wonder – is this her story? Liesel Meminger’s tale is probably closest I’ll get to the unknown story of my grandmother’s childhood in Germany.

Synopsis

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.

By her brother’s graveside, Liesel Meminger’s life is changed when she picks up a single object, partially hidden in the snow. It is The Grave Digger’s Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor’s wife’s library, wherever there are books to be found.

But these are dangerous times. When Liesel’s foster family hides a Jew in their basement, Liesel’s world is both opened and closed.

Review

The Book Thief is an extraordinary book. Narrated by Death, it chronicles Liesel Meminger’s life from 1939 to 1943 – the time in which she lived with her foster family, the Hubermanns, in Molching, Germany, a suburb of Munich. Liesel is not Jewish, but an incredibly reluctant member of the Hitler Youth. Her daily life, at the start of the war, continues in much the same way as life before and after the war. She plays soccer on the streets with her friends, she attends school, she reads books, and she delivers laundry for her foster mother. But as the war progresses, her life changes in the ways one would expect a young German girl’s life to change due to war – rationing, air raids, knowing people who have been drafted into the army, etc.

However, Liesel’s story is not the typical WWII era narrative as it is, on the surface, the tale of the ordinary German, not very sensational or particularly moving. But Liesel is a literary powerhouse of a protagonist. Her brother dies, and she copes by stealing a book – a book from which she learns to read. And learning to read, that changes the course of her entire life.

It was an interesting choice, on Markus Zusak’s part, to have Death narrate the book – it adds a sense of foreboding but also a tone of almost “hyper-reality” – giving a voice to the one fact that we all know but don’t like to confront – everyone dies. Death is exhausted by World War II, between the soldiers, the Jews, and the civilians, he’s exhausted. But Death is touched by Liesel, the girl who seems to see him and a girl he encounters more times than he believes he should (I use “he” because I listened to The Book Thief and the reader is male).

Personifying Death takes away the fear, Death narrates the book like Liesel’s old friend, not as an inevitable outcome and I believe that makes Liesel’s tale more profound and moving. My words are inadequate in describing the suffering Liesel endures but Markus Zusak does so with a great love for her, for all his characters. Throughout The Book Thief, Liesel is moved herself by the power of words and though she starts as an illiterate child, she quickly becomes a voracious reader. She recognizes the power words have, the words that stay with us long after they are spoken or read, and she learns some valuable life lessons from her words and the words of others. Death reveals the outcome of the book long before the final pages but that doesn’t make the end any easier to accept. While not a direct story about the Holocaust or a novel of expected and imminent danger, the outcome is heartbreaking and completely, harshly real to Liesel and the reader.

Rating: 10 out of 10 stars

Edition: Paperback • $12.99 • 9780375842207 • 552 pages • first published March 2006, this edition published September 2007 by Alfred A. Knopf Books for Young Readers • average Goodreads rating 4.36 out of 5 • read in May 2015

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Book Thief

Fantasy, Fiction, New Adult, Novella

Hear Me by Viv Daniels

This book is known to my family as “the reason Sarah owns a dreaded Kindle.” New Adult author Viv Daniels (aka my second favorite author in the whole wide world Diana Peterfreund), originally released this book eBook only. Two years later, I found that I could order a paperback (pictured above), but of course I had to read it as soon as it was released and therefore begged my dad to get me the device I swore I never wanted for Christmas that year. And while I’m not a big “holiday” reader, this is one of the few winter/Christmas books I read in December and it really did help get me in the holiday spirit.

Synopsis

Once upon a time, Ivy belonged to Archer, body, heart, and soul. They spent long summer days exploring the forest, and long summer nights exploring each other. But that was before dark magic grew in the depths of the wilderness, and the people of Ivy’s town raised an enchanted barrier of bells to protect themselves from the threat, even though it meant cutting off the forest people—and the forest boy Ivy loved—forever.

And there’s a naked man lying in the snow. Three years later, Ivy keeps her head down, working alone in her tea shop on the edge of town and trying to imagine a new future for herself, away from the forest and the wretched bells, and the memory of her single, perfect love. But in the icy heart of winter, a terrifying magic blooms—one that can reunite Ivy and Archer, or consume their very souls.

Review

For an eBook of not even 200 pages, Hear Me sticks with me, a good 3 years after I finished reading it. In one sitting. Viv Daniels (Diana Peterfreund) has cemented herself as an extraordinary writer and story crafter. Typically, when I go about “topic-tagging” a book, as I call, it there are usually about 10 to 15 that I assign, 5 to 10 for the books that are not at all complex or intriguing. This one? Over 30. That’s on par with a good series and, it weighs in at only 170 pages.

I had previously written off New Adult as being just “young adult with a steamy sex scene thrown in.” Does Hear Me fulfill that? Yes. If there was an R rating for books, this would have it. But Hear Me does so much more than tell the tale of loner Ivy and her aching, Archer loving heart – it explores the themes of oppression and racism, self-loathing and self-acceptance, desperation, and sacrifice, all in the name of love, and in a world, that is far from kind and frequently cruel and unjust. So, as is often the question with New Adult these days it seems, does it need the sex? No. Does the steaminess make it more enjoyable? Maybe. Does Viv Daniels do an expert job in telling an interesting, intriguing, and thought-provoking story? Absolutely.

Rating: 7 out of 10 stars

Edition: Paperback • $10.00 • 9781937135140 • 204 pages • published November 2014 by Word for Word • average Goodreads rating 3.26 out of 5 • read in December 2014

Viv Daniels’ Website

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Hear Me

Fantasy, Fiction, Young Adult

Shadow and Bone by Leigh Bardugo

I just realized I’m reviewing the Leigh Bardugo books I’ve read in the opposite order in which I read them! It you have any interest in reading any of the books in her Grisha-verse, I recommend starting with this one and reading them in the order they were published. As with many authors, Leigh’s writing only gets stronger as she goes and if you start with her later books (i.e. Six of Crows), you will invariably be disappointed by Shadow and Bone. That being said, start with this one, and you’ll love the whole series!

Synopsis

Alina Starkov doesn’t expect much from life. Orphaned by the Border Wars, the one thing she could rely on was her best friend and fellow refugee, Mal. And lately not even that seems certain. Drafted into the army of their war-torn homeland, they’re sent on a dangerous mission into the Fold, a swath of unnatural darkness crawling with monsters who feast on human flesh.

When their convoy is attacked, all seems lost until Alina reveals a dormant power that not even she knew existed. Ripped from everything she knows, she is whisked away to the royal court to be trained as a member of the Grisha, the magical elite led by the mysterious Darkling. He believes she is the answer the people have been waiting for: the one person with the power to destroy the Fold.

Swept up in a world of luxury and illusion, envied as the Darkling’s favorite, Alina struggles to fit into her new life without Mal by her side. But as the threat to the kingdom mounts, Alina uncovers a secret that sets her on a collision course with the most powerful forces in the kingdom. Now only her past can save her… and only she can save the future.

Review

While I dish out book recommendations left, right and center, especially at my job at a bookstore, I’m generally very reluctant to read books others have recommended to me, mostly because I feel like they will always fail to live up to: a, my ridiculously high expectations for books and b, give me unrealistic expectations for them based on how much my friend loved it. That all being said, Shadow and Bone fell only slightly flat – and I probably would not have been so harsh on it if it hadn’t been described as very similar to Throne of Glass, which is my most favorite book ever. I did enjoy Shadow and Bone, however, just not as much as I would have liked, given the hype, and the awesome impression I got of Leigh Bardugo when I saw her play truth or dare with Marissa Meyer (author of the Lunar Chronicles) at BookCon.

Alina, central character of the trilogy, falls into a very stereotypical female archetype: girl pines for childhood friend, girl discovers she has an unknown special power, boy realizes he loves girl, girl saves lives/has some great revelation about good and evil, girl and boy run off together. While it’s not a “The End, Happily Ever After” ending for the first book, the general arc rings true to the story. And even though Alina has a little more backbone than most female fantasy lead characters and has her moments of clarity, unfortunately I’ve got a huge girl crush on Celaena/Aelin and alas, next to her, no other can compare.

Rating: 7 out of 10 stars

Edition: Paperback • $10.99 9781250027436 • 358 pages • originally published June 2012, this edition published May 2014 by Square Fish • average Goodreads rating 4.05 out of 5 • read in September 2015

Leigh Bardugo’s Website

Shadow and Bone on Goodreads

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Shadow & Bone (2)

Classics, Fiction, Mystery

Murder on the Orient Express by Agatha Christie

Review Previously Published, Updated November 6th with Laura’s Review!

Just like A Study in ScarletMurder on the Orient Express was one of the Modern Readers’ Magical Mystery Tour books from last summer. Every since I saw The Mousetrap, one of Agatha Christie’s plays, and watched the Doctor Who episode that includes Agatha as part of the storyline, I’ve wanted to read one of her famed mysteries.

8 - July 2016 - Murder on the Orient Express

Synopsis

Just after midnight, a snowdrift stopped the Orient Express in its tracks. The luxurious train was surprising full for the time of the year. But by the morning there was one passenger fewer. A passenger lay dead in his compartment, stabbed a dozen times, his door locked from the inside.

Review

Laura’s Review

Mysteries are not usually my first choice to read, but I definitely enjoyed my first Agatha Christie novel! I was not sure entirely what to expect but when I told people I was reading it they said that it would be pretty easy to figure out the conclusion. However, I consciously tried to not obsess over who the murderer was because I wanted to enjoy the thrill of the book. Therefore, I enjoyed the suspense and being surprised with each red herring and revelation.

Murder on the Orient Express is definitely a classic kind of mystery. While I don’t usually read mysteries, I have watched my fair share of crime shows (favorites being NCIS and Law & Order). The TV shows are always trying to be bigger, bolder, and better than the last season, but this book was just a straight-up whodunit. It presented the facts of the crime, the evidence of the passengers, and the detective’s analysis of the all aspects of the crime. And it was fascinating.

The story was never dull and I was reading through it quite rapidly, occasionally trying to work out who was responsible, but never quite getting it right. Which was actually the most fun part of reading it. Of course it seemed so obvious after I finished it, and it was a similar feeling to anytime I read Sherlock Holmes stories and Sherlock points out everything Watson or the reader missed as if it truly is the most obvious thing in the world. If you want to start reading mysteries or have been wanting to read your first Agatha Christie novel, I definitely recommend Murder on the Orient Express as a great one with which to start!

Sarah’s Review

For years I wondered why Agatha Christie had such an appeal, until my father-in-law gave my husband and I tickets to see the stage production The Mousetrap in Philadelphia one weekend. And I now know why she is the queen of mystery writing. Her plot and pacing are superb – it is easy enough to follow along, the writing in her books and the dialogue in the play made you feel like you were in the hotel/on the train with the inspector as they attempt to solve the mystery.

Christie reveals enough details and suspicious that the reader can attempt to solve the mystery themselves, but she also allows for enough wiggle room for you to eventually be surprised by the final twist without feeling completely blindsided. While I have not been a mystery reader for a terribly long time (this could probably be considered my first true mystery novel, save for a Patterson novel I read shortly after college), I have quickly come to appreciate the differences in storytelling required for a good mystery versus a good novel.

Suspense is key, but in moderation. If the crime is committed at the start, then there should be enough background build up for each character that it doesn’t feel procedural. If crimes are continuing to be committed, it should feel like at least one character’s life is still under threat.

After reading Murder on the Orient Express, I immediately went out and purchased more Agatha Christie books – they make for a delightful, quick, beach or summer read and I have enjoyed them immensely.

Rating: 8 out of 10 stars

Edition: Paperback • $13.99 • 9780062072495 • 265 pages • originally published in 1934, this edition published January 2011 by Harper Paperbacks • average Goodreads rating 4.15 out of 5 • read in June 2016

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Murder on the Orient Express

 

Fantasy, Fiction

The Magicians trilogy by Lev Grossman

Happy Halloween! Since I don’t read a lot of horror, I figured a fantasy series was the next best pick for Halloween.

The Magicians Synopsis

Intellectually precocious high school senior Quentin Coldwater escapes the boredom of his daily life by reading and rereading a series of beloved fantasy novels set in an enchanted land called Fillory. Like everybody else, he assumes that magic isn’t real – until he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York.

After stumbling through a Brooklyn alley in winter, Quentin finds himself on the grounds of the idyllic Brakebills College for Magical Pedagogy in late summer. There, after passing a gruesomely difficult entrance examination, he begins a thorough and rigorous education in the craft of modern sorcery, while also discovering the joys of college: friendship, love, sex, and alcohol. But something is missing. Even though Quentin learns to cast spells and transform into animals, and gains power he never dreamed of, magic doesn’t bring him the happiness and adventure he thought it would. After graduation, he and his friends embark on an aimless, hedonistic life in Manhattan, struggling with the existential crises that plague pampered and idle young sorcerers. Until they make a stunning discovery that propels them on a remarkable journey, one that promises to finally fulfill Quentin’s yearning. But their journey turns out to be darker and more dangerous than Quentin could have imagined. His childhood dream is a nightmare with a shocking truth at its heart.

Series Review

Oh Quentin. My bloody brilliant Quentin. I both adore and despise you. This might be less of a review and more of a Quentin Coldwater character analysis…

Never have I had such a love-hate relationship with a primary character in a book. I abandoned The Magicians halfway through the first time I started reading it back when I was a 20-year-old junior in college because I hated Quentin. I couldn’t stand him. He embodied everything that I hated about the stereotypical college boys but at the same time, like my dear, beloved, favorite character Alice (she rivals my Hermione love like no other), I was inexplicably drawn to him. I just didn’t want to read about him.

Fast forward five years and I found myself one day just staring at the cover of The Magician’s Land and, surprising longing for Quentin’s world of Brakebills College of Magic. So, continuing on my quest of “reading” the books already on my shelves by listening to the audiobook, I rented The Magicians from the library as I find it best to return to the beginning and not to trust my loathsome memory to remember all the details (and especially why I found Alice so awesome) required to start in the middle of The Magicians half a decade after my initial foray into reading about Quentin and his motley crew.

Is Q still terribly annoying more than 75% of the time? Yes. Does it matter anymore? No. Because I realized that Quentin is simply the mouthpiece for the larger story and by the time The Magician King rolls around, he is not the only point of view character (yay!). Quentin isn’t even the hero of his own story half the time (which leads to his melancholy and delight for me!) and he really messes up – like royally screws things up and skewers his own happiness by trying to be happy. Crazy, I know, but true. But this happens to nearly every twenty-something – invariably we wind up making something we care about worse by trying to make it better, but trying to fix something that isn’t broken to begin with.

The trilogy covers roughly 13 years of Quentin’s life and over that time he grows from a scrawny, gangly asshole at 17 to a semi-distinguished (albeit fired) professor at 30. But what I really love about The Magicians trilogy is that isn’t not just the Quentin show 24/7, but all the other supporting characters, particularly classmate and eventual love interest Alice, are whole. They are complete, and they are independent, and they are certainly not defined by their relationship to Quentin, hero though he insists on being. And if Quentin pisses them off, so be it. They move on with their lives and things aren’t magically righted or fixed just because he eventually finds it in himself to say sorry (even when it’s 7 years later).

Point being, Quentin can suck, a lot. But, and it’s a big but, you don’t have to care about Quentin to enjoy the story, you just must tolerate him and his role that he plays in the big scheme of things. And eventually, he grows on you. You might have to give him 600 pages and hours and hours of your life, but eventually, you’ll be routing for him (and Alice) too.

Series Rating: 7 out of 10 stars

The Magicians Edition: Paperback • $16.00 • 9780452296299 • 402 pages • originally published August 2009, this edition published May 2010 by Plume Books • average Goodreads rating 3.47 • read in June 2015

Lev Grossman’s Website

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Magicians

Biography, Non-Fiction

Kick Kennedy by Barbara Leaming

Review Previously Published, Updated October 30th with Laura’s Review!

Ever since I was introduced to Kick Kennedy as a character in the Montmaray Journals (review to come!), I have been fascinated by her life and her experiences as an American in England during the Second World War. When the ARC for this biography arrived at the bookstore, I got ridiculously excited, so happy was I for a contemporary account of her life.

Synopsis

Kathleen “Kick” Kennedy was the incandescent life force of the fabled Kennedy family, her father’s acknowledge “Favorite of all the children” and her brother Jack’s (JFK!) “psychological twin.” She was the Kennedy of Kennedys, sure of her privilege, magnetically charming, and somehow not quite like anyone else on whatever stage she happened to grace.

The daughter of the American ambassador to the Court of St. James’s, Kick swept into Britain’s aristocracy like a fresh wind on a sweltering summer day. In a decaying world where everything was based on stultifying sameness and similarity, she was gloriously, exhileratingly different. Kick was the girl whom all the boys fell in love with, the girl who remained painfully out of reach for most of them.

To Kick, everything about this life was fun and amusing – until suddenly it was not. For this is also a story of how a girl like Kick, a girl who had everything, a girl who seemed made for happiness, confronted crushing sadness. Willing to pay the price for choosing the love she wanted, she would have to face the consequences of forsaking much that was dear to her.

Review

Laura’s Review

Wow. Kick lived for only 28 years, but what a life. Happy, tragic, disappointing, thrilling, and frustrating could all be used to describe her rather short life. Kick grew up as a member of the famed Kennedy family, but by the end of her life, they had practically disowned her for daring to follow her own heart and not tow the family line.

Kick Kennedy arrived in England when it was on the cusp of war with Germany in 1938. Exposed to the elite set of British aristocrats through her father’s role as the U.S. Ambassador to the Court of St. James, Kick quickly came to love her life in England. It did not take her long to fall in love with William “Billy” Cavendish, Marquess of Hartington. Sounds like a dream, right? The only problem was that Billy was a Protestant and Kick was member of a strict Catholic family, and neither family would consent to their marriage. The years that followed Kick’s 1938 debut in English society brought her both pure happiness and devastating heartbreak.

Reading about Kick’s life made my heart break for her and everything she endured. It seems silly, she was a member of one of the wealthiest and prominent family in America, her father could pull strings and buy her pretty much anything she wanted, and yet when her wants went against the family’s wishes, they cast her out. Kick was 24 years old (the same age as me) when she married Billy Hartington, and the only member of her family to attend was her eldest brother, Joe Kennedy Jr. To come to terms with the fact that your own family was rooting against your happiness seems like something no one should have to endure. And when that happiness was so quickly taken away and that same family offers no sympathy seems unconscionable.

The story of Kick’s life was a fascinating read, and provided as much insight into her forgotten life as it did into the politics of the time. Kick Kennedy was a feminist, and her story should never have been forgotten; so thank goodness Barbara Leaming took the time to write it all down for us.

Sarah’s Review

Oh Kick. Barbara Leaming’s biography is really Kick’s coming of age story and while her last name allowed her to grow up in a family full of wealth and privilege, her story is that of what happens when Kick decides she is no longer content being one of the nine Kennedy children, but wants to be one of one, just Kick, defined on her own terms. One of the things that I’ve discovered that I really love about ARCs is that I get to read a book without my view being, even unwittingly, skewed by the thoughts and opinions of other readers and I can judge the merit of the book on just that: it’s own merit, and I can make my own decisions, without any outside influence, about how I connected with Kick’s life story.

Kick Kennedy was truly an early feminist, though I’m not entirely sure she’d admit it, just like twenty-somethings today. And like modern twenty-somethings, Kick’s life goal was really quite simple: do things that bring happiness into life. The things that brought Kick happiness included debating politics and current events with both her brothers and the young aristocratic men of England, dressing up and enjoying parties, and falling in love. But unfortunately for Kick, she went from bride to widow in under six months (not a spoiler, it’s history), due to the violence of the Second World War. Understandably, her life changed dramatically, as did her attitude towards how she lived it.

While contemporaries of Kick may have seen her as an impulsive and naive young woman, in reality she was just doing what every young woman has tried to do since the beginning of time – figure out who she is as a daughter, sister, friend, wife, and ultimately as an individual.

Rating: 9 out of 10 stars

Edition: Paperback • $16.99 • 9781250115935 • 320 pages • first published in April 2016, this edition published April 2017 by Thomas Dunne Books for St. Martin’s Griffin • average Goodreads rating 3.56 out of 5 • read in March 2016

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Kick Kennedy

Graphic Novel, Memoir/Autobiography, Non-Fiction

Persepolis by Marjane Satrapi

Persepolis had been on my TBR list for a very long time, probably since I first saw the trailer for the film adaptation (which I still haven’t seen) at an art theater in the town I grew up in. When Emma Watson, one of my personal heroes, decided to make it a selection for her Goodreads’ Book Club, Our Shared Shelf, I decided to make it a pick for my book club, The Modern Readers, as well.

2 - January 2016 - Persepolis

Synopsis

Persepolis is the story of Satrapi’s unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming – both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland. It is the chronicle of  girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her county yet filled with the universal trials and joys of growing up.

Review

Persepolis sheds a great deal of light on a time and place with which most Americans are terribly unfamiliar. Satrapi’s memoir makes the situation more relatable for international audiences through her use of comic strips and content material relating to her childhood and the challenges facing every young girl trying to grow up. Her journey into adulthood is one is equal parts familiar – the desire to listen to music, hang posters in one’s room and have space of their own – and unfamiliar – family members are taken by the revolutionaries, having to live a completely different life with family and in public, and fearing for one’s life on a daily basis.

Overall, the content material was very eye-opening, not just in regards to what life was like in the 1980s in Iran, but also in regards to the role that Iran has played in recent world history both before and after the revolution. We had a very lively discussion at our book club meeting about the difference between a true revolution and a devolution masquerading as a revolution and came to the conclusion that the latter was a more apt description of the situation in Iran described by Satrapi. It is not difficult to understand why both the book and film has become staples of modern world history classes in high school and college alike.

Rating: 8 out of 10 stars

Edition: Paperback • $24.95 • 9780375714832 • 341 pages • published October 2007 by Pantheon Books • average Goodreads rating 4.36 out of 5 • read in January 2016

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Persepolis

 

Fantasy, Fiction, Historical, Young Adult

Gemma Doyle trilogy by Libba Bray

I first read A Great and Terrible Beauty shortly after it was first released many moons ago… in 2003 when I was a freshman in high school. I loved it from the very beginning – it was one of the first young adult fantasy books that was widely available after the release of Harry Potter. 

Synopsis of A Great and Terrible Beauty

Gemma Doyle isn’t like other girls. Girls with impeccable manners, who speak when spoken to, who remember their station, who dance with grace, and who will lie back and think of England when it’s required of them.

No, sixteen-year-old Gemma is an island unto herself, sent to the Spence Academy in London after tragedy strikes her family in India. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma finds her reception a chilly one. She’s not completely alone, though… she’s been followed by a mysterious young man, sent to warn her to close her mind against the visions.

For it’s at Spence that Gemma’s power to attract the supernatural unfolds; there she becomes entangled with the school’s most powerful girls and discovers her mother’s connection to a shadowy, timeless group called the Order. It’s there that her destiny waits… if only Gemma can believe in it.

Review

A Great and Terrible Beauty

I have loved A Great and Terrible Beauty for over a decade now, which seems crazy and makes me feel so old. But as one of the first young adult fantasy books to hit the market and stick as a popular favorite, I’m so happy that I’ve been recommending this book series to all of my friends for half my life.

Gemma Doyle, protagonist of the trilogy by the same name, set the bar for all young adult, and adult fantasy books, I’ve read since the fateful day back in 2003 that I first picked up Gemma’s story. She’s full of spunk and self-determination and she’s completely normal. I absolutely love to read about characters who doubt themselves in all things and Gemma has plenty to question about herself, her actions, and her motivations. Gemma’s story begins with the death of her mother and Gemma’s introduction into the shadowy world of the mysterious Order and her discovery of the Realms, a magical, but troubled land, that was once the playing ground of not only the Order, but other magical creatures and beings as well.

As Gemma starts to learn about her (and her mother’s) connection to the Order and the Realms, she must also deal with life at a prestigious Victorian finishing school, and the bullies and privileged girls she meets there. It doesn’t take long, however, for Gemma to make some decent friends and she quickly discovers that appearances are oftentimes deceiving and it is worth getting to know people better before passing judgment on them. There are so many incredible lessons to learn from Gemma and her journey and Libba Bray’s story telling is absolutely exquisite. I can’t wait to reread Rebel Angels so I can finally finish the series with The Sweet Far Thing!

Gemma Doyle trilogy

Finally I have finished the Gemma Doyle trilogy! After reading the first book nearly thirteen years ago and seeing all three books starting at me from my bookshelf for the better part of seven years, I figured it was about time I finished Gemma’s story and learned how it all turned out.

A Great and Terrible Beauty, to this day, remains one of my favorite books that I read during high school. Gemma is a strong and formidable heroine and her adventures into the magical realms she discovers prove that she is worthy of being added to the ranks of great female protagonists of literature. Her friends and fellow characters are fully developed and have personalities of their own that are not defined by their relationship with Gemma.

In Rebel Angels, Gemma and her friends are on holiday from Spence Academy, where they met and first entered the realms, to spend the Christmas seasons with their families. It is in Rebel Angels that were learn more about each character and their motivations in life. And like any good middle book, it ends with a battle, twist and cliff-hanger.

Sweet Far Thing, however, drops the ball that has been rolling on beautifully in the first two books. It tops 800 pages when only about 300 were truly necessary to conclude Gemma’s story satisfactorily. The pacing is slow going and I wanted to give up hope of ever finishing it multiple times during the last month and a half that it took me to read it. Sweet Far Thing felt like Libba Bray didn’t want the story to end, but wasn’t sure what the best way was to draw it out without going overboard. But in the end, Gemma’s story comes to a close with a fairly realistic (for a fantasy book) ending and her story feels complete.

Rating: 7 out of 10 stars for series

Edition: Paperback • $9.99 • 9780385732314 • 403 pages • first published in December 2003, this edition published March 2005 by Delacorte Press • average Goodreads rating 3.79 out of 5 • read between December 2003 and January 2016

Libba Bray’s Website

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Gemma Doyle - Great and Terrible Beauty