Fantasy, Fiction

The Ocean at the End of the Lane by Neil Gaiman

Knowing of our shared love of Good OmensBen picked up a copy of The Ocean at the End of the Lane for me from the Strand one year for Christmas!

Synopsis

A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn’t thought of Lettie in decades, and yet as he sits by the pond (a pond that she’d claimed was an ocean) behind the ramshackle old farmhouse where she once lived, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Review

The Ocean at the End of the Lane is an interesting book, a difficult one to really wrap my mind around. The main character is a grown man, reliving an extended childhood memory over the course of the novel. The idea behind the book is to play on our understanding of our memories and how they are a fluid thing, evolving and changing as we do when we grow older. Our memories of our childhood may not even be actual memories, but rather fabrications of our minds to explain something that our childhood brains could not fathom or comprehend.

This is the understanding one must accept when starting to read The Ocean at the End of the Lane or else it just seems trippy. The little boy suffered traumas, that much is undeniable. But whether Ursula Monkton (the blamed source for his difficulties) was really of another world and whether Lettie Hempstock really went to Australia, well, those matters are up for debate. Neil Gaiman expertly crafts fantasy based on the real events and occurrences and delves into the childhood memories with such a careful hand it’s hard to imagine that any other explanation for the boy’s suffering is even possible.

Alas, though, fiction that twists reality, fantasy, and psychology kind of freaks me out. It’s hard for me to think too hard about thinking and I tend to prefer to not have to do so unless necessary. An understanding of Gaiman’s purpose in writing is essential in experiencing The Ocean at the End of the Lane in the fullest way possible.

Rating: 6 out of 10 stars

Edition: Mass Market Paperback • $7.99 • 9780062459367 • 256 pages • originally published June 2013, this edition published June 2016 by William Morrow & Company • average Goodreads rating 3.99 out of 5 • read in January 2015

Neil Gaiman’s Website

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Ocean at the End of the Lane

Fiction, Historical, Young Adult

The Book Thief by Markus Zusak

I finally realized why I read so many books about young women during World War II. My grandmother grew up in Nürnberg during this time and she has never spoken about her childhood. From what my father has told me about her experiences, I wouldn’t talk about it either. I read so many books because I wonder – is this her story? Liesel Meminger’s tale is probably closest I’ll get to the unknown story of my grandmother’s childhood in Germany.

Synopsis

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.

By her brother’s graveside, Liesel Meminger’s life is changed when she picks up a single object, partially hidden in the snow. It is The Grave Digger’s Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor’s wife’s library, wherever there are books to be found.

But these are dangerous times. When Liesel’s foster family hides a Jew in their basement, Liesel’s world is both opened and closed.

Review

The Book Thief is an extraordinary book. Narrated by Death, it chronicles Liesel Meminger’s life from 1939 to 1943 – the time in which she lived with her foster family, the Hubermanns, in Molching, Germany, a suburb of Munich. Liesel is not Jewish, but an incredibly reluctant member of the Hitler Youth. Her daily life, at the start of the war, continues in much the same way as life before and after the war. She plays soccer on the streets with her friends, she attends school, she reads books, and she delivers laundry for her foster mother. But as the war progresses, her life changes in the ways one would expect a young German girl’s life to change due to war – rationing, air raids, knowing people who have been drafted into the army, etc.

However, Liesel’s story is not the typical WWII era narrative as it is, on the surface, the tale of the ordinary German, not very sensational or particularly moving. But Liesel is a literary powerhouse of a protagonist. Her brother dies, and she copes by stealing a book – a book from which she learns to read. And learning to read, that changes the course of her entire life.

It was an interesting choice, on Markus Zusak’s part, to have Death narrate the book – it adds a sense of foreboding but also a tone of almost “hyper-reality” – giving a voice to the one fact that we all know but don’t like to confront – everyone dies. Death is exhausted by World War II, between the soldiers, the Jews, and the civilians, he’s exhausted. But Death is touched by Liesel, the girl who seems to see him and a girl he encounters more times than he believes he should (I use “he” because I listened to The Book Thief and the reader is male).

Personifying Death takes away the fear, Death narrates the book like Liesel’s old friend, not as an inevitable outcome and I believe that makes Liesel’s tale more profound and moving. My words are inadequate in describing the suffering Liesel endures but Markus Zusak does so with a great love for her, for all his characters. Throughout The Book Thief, Liesel is moved herself by the power of words and though she starts as an illiterate child, she quickly becomes a voracious reader. She recognizes the power words have, the words that stay with us long after they are spoken or read, and she learns some valuable life lessons from her words and the words of others. Death reveals the outcome of the book long before the final pages but that doesn’t make the end any easier to accept. While not a direct story about the Holocaust or a novel of expected and imminent danger, the outcome is heartbreaking and completely, harshly real to Liesel and the reader.

Rating: 10 out of 10 stars

Edition: Paperback • $12.99 • 9780375842207 • 552 pages • first published March 2006, this edition published September 2007 by Alfred A. Knopf Books for Young Readers • average Goodreads rating 4.36 out of 5 • read in May 2015

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Book Thief

Fiction, Historical, Young Adult

Rose Under Fire by Elizabeth Wein

I may need to reread Rose Under Fire – when I first read it, I was “broken” on World War II novels – I’d read so many, I didn’t really “feel” anything when I read them anymore. There are things that happen in Rose Under Fire that are absolutely horrific and I just kept turning the pages. SO, if you decide to pick this wonderful book up, I advise doing so when you have not, like me, been binge-reading WWII novels.

Synopsis

While flying an Allied fighter plane from Paris to England, American ATA pilot and amateur poet, Rose Justice, is captured by the Nazis and sent to Ravensbrück, the notorious women’s concentration camp. Trapped in horrific circumstances, Rose finds hope in the impossible through the loyalty, bravery, and friendship of her fellow prisoners. But will that be enough to endure the fate that’s in store for her?

Review

I feel emotionally broken by books about World War II. But not in the way one would expect. I’m out of emotion. I’ve exhausted all the “feels” that come along with reading about the war by reading every book I can get my hands on with a female protagonist and a setting in the ten-year period from 1935 to 1945. I’ve tried so hard to find my grandmother’s story in book form that I’ve stopped connecting to the characters.

Time of truth: I didn’t feel anything while reading Rose Under Fire. “What?” You cry, “A book about a young woman suffering through Ravensbrück- RAVENSBRÜCK! and you felt… nothing?” But it’s true. I didn’t care about Rose. She seemed entirely too self-absorbed. Her friends died, and I didn’t shed a tear because I felt like I didn’t know them – I have enough people I know about to cry for, and Rose didn’t give them much life. But her writing is stupendous – Elizabeth Wein is one of the best writers that I have ever had a pleasure to read and for that reason I’ve rated this reasonably well and why I will still read anything and everything she writes. But back to the book.

Survivors’ accounts of the concentration camps and the Holocaust are incredibly moving because they are true, and I think Elizabeth Wein took on a massive challenge in trying to recreate a fictional survivor’s account and, by public opinion poll, she was incredibly successful. I think I found it less successful because I’m too close to it – my grandmother lost so many people in her hometown of Nürnberg during the war – real people that she loved and cared for. My love for my grandmother makes her tragedy part of my history, part of my cultural identity. My annoyance with Rose made it incredibly hard to care about the trials and tribulations of her and her compatriots. I kept wondering if it was the overall story I didn’t connect with or the character and ultimately, it was the character. Rose bores me when compared to the literary juggernaut who appears in both Code Name Verity and Rose Under Fire and I’m not talking about Maddie, but I don’t want to give anything away. I would have loved to read that story. Any chance of a third book from a certain German’s perspective?

Rating: 7 out of 10 stars

Edition: Paperback • $9.99 • 9781423184690 • 384 pages • originally published September 2013, this edition published September 2014 by Disney-Hyperion • average Goodreads rating 4.13 out of 5 • read in June 2015

Elizabeth Wein’s Website

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Rose Under Fire

Fiction, Historical, Young Adult

The Montmaray Journals by Michelle Cooper

My sister told me I absolutely had to read these books, and while being told to read something is not usually a good incentive, this time I am so happy that she introduced me to these books. These are three of my favorite books I have ever read and much of that has to do with how easily I was able to relate to the narrator, Sophia.

A Brief History of Montmaray Synopsis

Sophie Fitzosborne lives in a crumbling castle in the tiny island kingdom of Montmaray with her eccentric and impoverished royal family. When she receives a journal for her sixteenth birthday, Sophie decides to chronicle day-to-day life on the island. But this is 1936, and the news that trickles in from the mainland reveals a world on the brink of war. The politics of Europe seem far away from their remote island—until two German officers land a boat on Montmaray. And then suddenly politics become very personal indeed.

Series Review

Laura’s Review

It had been a long time since I had read a series where I cared so much about the characters and felt as though I were on their journey with them. From the very first pages of A Brief History of Montmaray when Sophie states that one of her birthday presents was a new copy of Pride & Prejudice, I knew that she and I would get along quite well. Anybody who loves Jane Austen scores points with me; but that was only the beginning. As Sophie chronicled her life on Montmaray and later in England, I was always thinking, finally, an author who wrote a character that was basically me but living in the 1930s and ’40s. Sophie’s feelings and responses to situations always made sense to me because I believe it is how I would have acted as well.

Sophie loves books and writing, and did not want to associate with the catty debutantes that she was forced to interact with – which is basically how I felt the entire way through high school. I was always wondering why I did not have friends that cared about the same activities that I did instead of having a debate about that idiotic Twilight series. Sophie has now become my favorite literary heroine of all time (sorry Elizabeth Bennet!) and I have now read these books more times than I can count in the past few years. My sister had originally lent me hers and as soon as I finished reading them, she of course wanted them back, so I bought my own copies. I believe all three books deserve a five star rating, however, if I had to choose I would say that the second in the series, The FitzOsbornes in Exile, is my favorite. I love the first one; however, it takes a little while to really dig deep into the story, but after about that it is nonstop through all of the books. The second book is the when the characters really become fleshed out and due to the horrific events at the end of the first book, everyone starts to experience the tribulations that accompany adulthood. In The FitzOsbornes in Exile Sophie experiences so many different events, meets new people, (all of whom are very different) and begins to live her life on her own terms (as long as Aunt Charlotte can be persuaded to be amenable).

Michelle Cooper blends historical events and people wonderfully into the fabric of the story – of course Sophie would become friends with Kathleen “Kick” Kennedy and partake in helping refugee children from the Basque region which was practically demolished during the Spanish Civil War. Throughout the novel the family begins to try to have the option of returning to Montmaray, and it ends with a sit-on-the-edge of your seat, cannot-put-the-book-down adventure in order to have their story heard by leaders of nations all around the world and to expose the viciousness of the Nazi Regime. The final book, The FitzOsbornes at War, captures every feeling one could possibly experience as Sophie lives through the Second World War, including the Blitz, having family serving in the armed forces, and being forced to spin a positive outlook on rationing. Overall, you cannot go wrong picking up and reading this series. I wholeheartedly recommend it and I cannot think of anything even remotely negative to say about it.

Sarah’s Review

The title of this trilogy, The Montmaray Journals, refers to the written chronicle in which the protagonist, Sophie FitzOsborne, lets the readers in on her life on the island of Montmaray and her family’s experiences during World War II while residing in London and the family house in the English countryside. Her life differs greatly in all three locations as she and her family must try to cope with being forced out of their homeland and overlooked by the European community when they fight to have their home on Montmaray restored to them. An intriguing narrative that only gets deeper and more emotional as the terrors of the war hit home for all the members of the FitzOsborne family.

Sophie shares her adventures with her older brother, Toby, younger sister, Henry (Henrietta) and cousin, Veronica, all members of the royal family of Montmaray, a tiny island in the middle of the English Channel. Each and every characters is fully and richly developed and when misfortune strikes, they band together as a family to overcome any and all adverse situations. However, no family is immune to loss when it comes to World War II in Europe and the FitzOsbornes are certainly not exempt from overwhelming heartbreak. Their loss felt like my loss, their pain was my pain, as I turned page after page to find out what happened next to the lives of those I came to love.

Michelle Cooper develops a strong and engaging world, believable in its details due to her extensive research (all consulted materials are listed at the back of each of the three books) and the way her fictional characters interact with real people from the era (such as the Kennedy children). All in all, I highly recommend all three books for anyone looking for an intriguing story from the point of view of the young adults whose lives were irreversibly changed when war was declared.

Rating: 10 out of 10 stars

A Brief History of Montmaray Edition: Paperback • $8.99 • 9780375851544 • 296 pages • first published October 2009, this edition published March 2011 by Alfred A. Knopf Books for Young Readers • average Goodreads rating 3.64 out of 5 • read summer 2014

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Montmaray

Fantasy, Fiction

The Girl Who Chased the Moon by Sarah Addison Allen

I’m a sucker for a book with a starry night on the cover. And when I read the synopsis of The Girl Who Chased the Moon, I was drawn in. It sounded sweet and enjoyable, the perfect read for a rainy fall day.

Synopsis

Emily Benedict has come to Mullaby, North Carolina, hoping to solve at least some of the riddles surrounding her mother’s life. But the moment Emily enters the house where her mother grew up and meets the grandfather she never knew, she realizes that mysteries aren’t solved in Mullaby, they’re a way of life: Here are rooms where the wallpaper changes to suit your mood. Unexplained lights skip across the yard at midnight. And a neighbor, Julia Winterson, bakes hope in the form of cakes, not only wishing to satisfy the town’s sweet tooth but also dreaming of rekindling the love she fears might be lost forever. Can a hummingbird cake really bring back a lost love? Is there really a ghost dancing in Emily’s backyard? The answers are never what you expect. But in this town of lovable misfits, the unexpected fits right in.

Review

I’m a newbie to Sarah Addison Allen’s work, but for the most part, her books strike me as prose that depicts ordinary life with a twist of the fantastical and a generally happy ending – perfect for a quick “in between” read. I’ve discovered that chick lit fills an interesting void in the literary community that I hadn’t realized existed, the “in-betweener.”

Reading and discovering a new favorite book (NFB) is emotionally overwhelming and when you finish said NFB, it’s hard to pick up anything new because you’re not sure it will live up to the awesomeness that you just experienced with your NFB. One needs a palate cleanser – something that you know won’t live up to the ridiculously high standard set by the NFB, but still has a solid plot and decent characters. Enter the “in between” chick lit novel that lets you come down easy from the NFB high and back into the real world before you dive into the quest for the next NFB.

The Girl Who Chased the Moon, is a solid read with an intriguing plot and characters and is downright adorable in the most realistic way possible. The characters are flawed, and the setting is ordinary in the best possible way. It’s hard to describe fully, but Sarah Addison Allen seems to have perfected the art of making the ordinary extraordinary – of telling a story that could be anyone’s story but has magnificent details that make it unique. The ability to transform our “ordinary daily life” into something spectacular in a natural way is an incredibly difficult thing to do. Interesting things happen to regular people (who may not be altogether “normal”) and Sarah Addison Allen crafts her stories around those moments, the ones that seem straightforward, but moments when our decisions shape our lives for years to come. And that’s how the ordinary becomes magnificently, extraordinarily ordinary, and relatable.

Rating: 8 out of 10 stars

Edition: Paperback • $16.00 • 9780553385595 • 292 pages • originally published March 2010, this edition published February 2011 by Bantam • average Goodreads rating 3.97 out of 5 • read in October 2011

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Girl Who Chased the Moon

Fantasy, Fiction, Young Adult

Seraphina by Rachel Hartman

There aren’t many books that I can say I jumped on when they were first released in hardcover, but I’m very proud to own a first edition of Seraphina. It is one of my favorite books (I know, I say that a lot), but this one I love specifically to recommend to people. Seraphina, the character, is the perfect character for anyone who feels like the world doesn’t completely “get them,” and I believe all humans fall into the description at one point or another in life.

Synopsis

Four decades of peace have done little to ease the mistrust between humans and dragons in the kingdom of Goredd. Folding themselves into human shape, dragons attend the court as ambassadors and lend their rational, mathematical minds to universities as scholars and teachers. As the treaty’s anniversary draws near, however, tensions are high.

Seraphina Dombegh has reason to fear both sides. An unusually gifted musician, she joins the court just as a member of the royal family is murdered in suspiciously draconian fashion. Seraphina is drawn into the investigation, pairing with the captain of the Queen’s Guard, the dangerously perceptive Prince Lucian Kiggs. While they begin to uncover hints of a sinister plot to destroy the peace, Seraphina struggles to protect her own secret, the secret behind her musical gift – one so terrible that its discovery could mean her very life.

Review

Seraphina is a very interesting character. She reminds me a lot of the characters that I heard about at all the Diverse Books panels I attended during Book Con. As a half-dragon, half-human, she has many difficulties that she must deal with and overcome, as well as secrets society pressures her to hide, something that I’m sure many young women and men can relate to.

I think Rachel Hartman and I could have lots of awesome conversations about music, dragons, and just growing up in general. A lot of what Seraphina must deal with runs true to the challenges of most young people’s lives and the awesome thing about her story is that, even though things go terribly wrong, she has a strong and supportive group of family and friends to back her up and stand by her.

One of the best parts about writing fantasy is that you can write about so many themes that can seem untouchable or insurmountable in realistic fiction. Seraphina’s story would be heartbreaking in the modern world. In the context of Goredd, her home country, she’s not supposed to be able to exist – I can’t imagine reading a story about a child whose very existence is supposedly impossible and if that child did exist, multiple factions would actively try to kill her. It’s so much easier to make dragons the bad guys, it’s plausible and believable, and its what fairy tales have led us to believe for quite some time.

But it’s the humans of Goredd who are much harsher on Seraphina, it is the humans who fear different people and fear change. This is true in the real world as well, but seems much less critical through the lens of a fantasy world. Fantasy is one of the perfect genres for social commentary and anyone who misses it in Seraphina is in denial. Seraphina’s story is a great one and an enjoyable tale of dragons and fantasy as well.

Rating: 8 out of 10 stars

Edition: Paperback • $10.99 • 9780375866227 • 528 pages • originally published July 2012, this edition published December 2014 by Ember • average Goodreads rating 3.98 out of 5 • read in June 2015

Rachel Hartman’s Website

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Seraphina

Fantasy, Fiction

The Magicians trilogy by Lev Grossman

Happy Halloween! Since I don’t read a lot of horror, I figured a fantasy series was the next best pick for Halloween.

The Magicians Synopsis

Intellectually precocious high school senior Quentin Coldwater escapes the boredom of his daily life by reading and rereading a series of beloved fantasy novels set in an enchanted land called Fillory. Like everybody else, he assumes that magic isn’t real – until he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York.

After stumbling through a Brooklyn alley in winter, Quentin finds himself on the grounds of the idyllic Brakebills College for Magical Pedagogy in late summer. There, after passing a gruesomely difficult entrance examination, he begins a thorough and rigorous education in the craft of modern sorcery, while also discovering the joys of college: friendship, love, sex, and alcohol. But something is missing. Even though Quentin learns to cast spells and transform into animals, and gains power he never dreamed of, magic doesn’t bring him the happiness and adventure he thought it would. After graduation, he and his friends embark on an aimless, hedonistic life in Manhattan, struggling with the existential crises that plague pampered and idle young sorcerers. Until they make a stunning discovery that propels them on a remarkable journey, one that promises to finally fulfill Quentin’s yearning. But their journey turns out to be darker and more dangerous than Quentin could have imagined. His childhood dream is a nightmare with a shocking truth at its heart.

Series Review

Oh Quentin. My bloody brilliant Quentin. I both adore and despise you. This might be less of a review and more of a Quentin Coldwater character analysis…

Never have I had such a love-hate relationship with a primary character in a book. I abandoned The Magicians halfway through the first time I started reading it back when I was a 20-year-old junior in college because I hated Quentin. I couldn’t stand him. He embodied everything that I hated about the stereotypical college boys but at the same time, like my dear, beloved, favorite character Alice (she rivals my Hermione love like no other), I was inexplicably drawn to him. I just didn’t want to read about him.

Fast forward five years and I found myself one day just staring at the cover of The Magician’s Land and, surprising longing for Quentin’s world of Brakebills College of Magic. So, continuing on my quest of “reading” the books already on my shelves by listening to the audiobook, I rented The Magicians from the library as I find it best to return to the beginning and not to trust my loathsome memory to remember all the details (and especially why I found Alice so awesome) required to start in the middle of The Magicians half a decade after my initial foray into reading about Quentin and his motley crew.

Is Q still terribly annoying more than 75% of the time? Yes. Does it matter anymore? No. Because I realized that Quentin is simply the mouthpiece for the larger story and by the time The Magician King rolls around, he is not the only point of view character (yay!). Quentin isn’t even the hero of his own story half the time (which leads to his melancholy and delight for me!) and he really messes up – like royally screws things up and skewers his own happiness by trying to be happy. Crazy, I know, but true. But this happens to nearly every twenty-something – invariably we wind up making something we care about worse by trying to make it better, but trying to fix something that isn’t broken to begin with.

The trilogy covers roughly 13 years of Quentin’s life and over that time he grows from a scrawny, gangly asshole at 17 to a semi-distinguished (albeit fired) professor at 30. But what I really love about The Magicians trilogy is that isn’t not just the Quentin show 24/7, but all the other supporting characters, particularly classmate and eventual love interest Alice, are whole. They are complete, and they are independent, and they are certainly not defined by their relationship to Quentin, hero though he insists on being. And if Quentin pisses them off, so be it. They move on with their lives and things aren’t magically righted or fixed just because he eventually finds it in himself to say sorry (even when it’s 7 years later).

Point being, Quentin can suck, a lot. But, and it’s a big but, you don’t have to care about Quentin to enjoy the story, you just must tolerate him and his role that he plays in the big scheme of things. And eventually, he grows on you. You might have to give him 600 pages and hours and hours of your life, but eventually, you’ll be routing for him (and Alice) too.

Series Rating: 7 out of 10 stars

The Magicians Edition: Paperback • $16.00 • 9780452296299 • 402 pages • originally published August 2009, this edition published May 2010 by Plume Books • average Goodreads rating 3.47 • read in June 2015

Lev Grossman’s Website

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Magicians

Graphic Novel, Memoir/Autobiography, Non-Fiction

Persepolis by Marjane Satrapi

Persepolis had been on my TBR list for a very long time, probably since I first saw the trailer for the film adaptation (which I still haven’t seen) at an art theater in the town I grew up in. When Emma Watson, one of my personal heroes, decided to make it a selection for her Goodreads’ Book Club, Our Shared Shelf, I decided to make it a pick for my book club, The Modern Readers, as well.

2 - January 2016 - Persepolis

Synopsis

Persepolis is the story of Satrapi’s unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming – both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland. It is the chronicle of  girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her county yet filled with the universal trials and joys of growing up.

Review

Persepolis sheds a great deal of light on a time and place with which most Americans are terribly unfamiliar. Satrapi’s memoir makes the situation more relatable for international audiences through her use of comic strips and content material relating to her childhood and the challenges facing every young girl trying to grow up. Her journey into adulthood is one is equal parts familiar – the desire to listen to music, hang posters in one’s room and have space of their own – and unfamiliar – family members are taken by the revolutionaries, having to live a completely different life with family and in public, and fearing for one’s life on a daily basis.

Overall, the content material was very eye-opening, not just in regards to what life was like in the 1980s in Iran, but also in regards to the role that Iran has played in recent world history both before and after the revolution. We had a very lively discussion at our book club meeting about the difference between a true revolution and a devolution masquerading as a revolution and came to the conclusion that the latter was a more apt description of the situation in Iran described by Satrapi. It is not difficult to understand why both the book and film has become staples of modern world history classes in high school and college alike.

Rating: 8 out of 10 stars

Edition: Paperback • $24.95 • 9780375714832 • 341 pages • published October 2007 by Pantheon Books • average Goodreads rating 4.36 out of 5 • read in January 2016

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Persepolis

 

Non-Fiction, Poetry

Adultolescence by Gabbie Hanna

When this book first showed up at the bookstore on Monday, I wasn’t entirely sure what to make of it. After my less than stellar experience in reading modern poetry last week with Milk and Honey, I didn’t think I would really want to try again. But after all the teenage girls started asking for it on and after its release date Tuesday, I figured I better see if we were going to have another Milk and Honey type of situation on our hands at the store.

Synopsis

In poems ranging from the singsong rhythms of children’s verses to a sophisticated confessional style, Gabbie explores what it means to feel like a kid and an adult all at once, revealing her own longings, obsessions, and insecurities along the way. Adultolescence announces the arrival of a brilliant new voice with a magical ability to connect through alienation, cut to the profound with internet slang, and detonate wickedly funny jokes between moments of existential dread. You’ll turn to the last page because you get her, and you’ll return to the first page because she gets you.

Review

I’m not a big poetry person, but I am a millennial, and the publisher marketing synopsis’ last line is absolutely true. I could launch into a whole big long thing about being a millennial, what that means to me vs. the rest of the world, and how Adultolescence is a perfect example of the millennial mindset, etc. etc. But that would be ranting, and annoying, and I don’t want to be either today.

So let’s start out with why I actually started reading this book – yes, the teenagers at the store did have a little something to do with why I read it so quickly after it’s release date, but I bought it on Monday, before it was technically available to said teenagers for many reasons. There is, though, one that truly sticks out: Gabbie and I both went to Pitt, The University of Pittsburgh, Hail to Pitt! So not only do we have the shared experiences of being part of the same generation, we have four years worth of memories and, I’m sure if ever meet and have a chance to chat, we would be able to go on and on about Oakland (the Pittsburgh neighborhood, not the CA one), the Cathedral of Learning, the Penn State rivalry, the uniqueness of Pittsburgh weather, how awesome it was to be done for the school year before May even started, though we’d probably disagree on sports – I’ll take the Eagles over the Steelers any day.

To say I connected with Gabbie and her poetry is an understatement. I have anxieties, panic attacks, and I have no idea what I want to do with my life, no really. While I love my bookstore job and I one day want to go back into teaching and I’m happily married, I still don’t know what I want my life to look like in five years, ten years, twenty years (other than I would like to be employed and still happily married). My brain is filled with the same doubts and insecurities as Gabbie’s and, while I don’t presently make videos of my life (though I’d like to try at some point), I do have this book blog, so I guess that counts as another similarity.

Adultolescence is the perfect book for anyone who needs to know that they are not alone in the world – their doubts and fears are felt by many others as well. It is the perfect book for my generation – a week into owning it and it already looks well worn and loved because I keep going back to my already favorite poems because I’ve needed a pick me up or some cheering up during the week.

Rating: 9 out of 10 stars (I’m still getting used to poetry)

Edition: Paperback • $16.99 • 9781501178320 • 256 pages • published September 2017 by Atria Books • average Goodreads rating 4.32 out of 5 • read in September 2017

Gabbie Hanna’s YouTube Channel

Adultolescence on Goodreads

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Adultolescence

Non-Fiction, Poetry

Milk and Honey by Rupi Kaur

I received Milk and Honey as a wedding present over a year ago. Last night I decided I might as well pick it up and see what all the fuss is about. 

Synopsis

this is the journey of
surviving through poetry
this is the blood sweat and tears
of twenty-one years
this is my heart
in your hands
this is
the hurting
the loving
the breaking
the healing

Review

So… I still don’t think I fully understand the obsession. This book has spent over a year as a bestseller at the bookstore, first on the New York Times list, then on the Indie list. Milk and Honey was originally self-published and I will readily admit I am skeptical of anyone who is self-published. Milk and Honey was then picked up by a major publisher, Simon & Schuster, who published the edition that is readily available on the shelves of most bookstores. It’s popularity is even to the point that when people come into the store looking for our poetry section, we immediately ask if they actually want the whole section, or if they’re looking for Milk and Honey.

This is not a book about feminism. This is a book about femininity. There is a HUGE difference between these two terms and one that I think is frequently lost when people start describing this book to each other. One of the few reasons I finally decided to read it after looking at it on the shelf for over a year, was that I had been told yesterday that it was a book that celebrated feminism. While recanting her own experiences with hurt (abuse), love, and heartbreak, Kaur encourages women to love themselves. When, in the last chapter, she attempts to turn to feminism, I take great issue with many of the poems in that chapter, one in particular:

our backs
tell stories
no books have
the spine to
carry

women of color

I’ll let that one sink in for a minute. Rupi Kaur spends pages of poems before that encouraging women to support each other. She looks out for her sisters, her fellow women. And then she includes that poem. Until I read the last line, it was my favorite in the entire book – it was the one that I finally felt I could connect with. Throughout Milk and Honey, Kaur uses that last line (beginning with a hyphen) to indicate the audience of a specific poem, or to guide your thinking towards a particular phrase or point in the poem. And I realized, this particular poem was not for me. I felt like I could not claim to identify with it because I’m a white middle class suburban blonde haired blue eyed young woman.

And then I realized, that yes, this poem must be overwhelmingly true for women of color, particularly in the US and Canada – I cannot begin to understand the differences in their experiences of life here and my own. But I think the power of poetry is for all people, all of Kaur’s “sisters” to find themselves in her words and I believe her last line here is exclusionary. These words rang particularly true of my grandmother, an immigrant from Germany post WWII. These words fit so many immigrants, women who identify as part of the LGBTQI community, victims of abuse, the list can go on and on.

But what it boils down to, is that Rupi Kaur’s poetry made me feel something. It may not have been the feelings she intended – I was angry most of the time I was reading – but the point of poetry is to elicit a feeling, so on that part, well done.

Rating: 6 out of 10 stars

Edition: Paperback • $14.99 • 9781449474256 • 208 pages • published October 2015 by Andrews McMeel Publishing • average Goodreads rating 4.26 out of 5 • read in September 2017

Rupi Kaur’s Website

Milk and Honey on Goodreads

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Milk and Honey