Classics, Fiction, Mystery

And Then There Were None by Agatha Christie

On Thursday, before leaving home for a bit of a road trip, I was desperately searching through the Overdrive app for a new audiobook – I could not undertake the journey without one and I had forgotten to swing by the library the previous two days. Imagine my excitement when I stumbled across an Agatha Christie novel read by Dan Stevens! It fit the bill perfectly.

Synopsis

Ten… Ten strangers are lured to an isolated mansion off the Devon coast by a mysterious U. N. Owen.

Nine… At dinner a recorded message accuses each of them in turn of having a guilty secret, and by the end of the night, one of the guests is dead.

Eight… Stranded by a violent storm, and haunted by a nursery rhyme counting down one by one… as one by one… they begin to die.

Seven… Which among them is the killer and will any of them survive?

Review

My husband’s aunt has every Agatha Christie book ever written, and most of her later works are first editions. Every time we have gone to visit her over Christmas, I marvel at her beautiful built-in bookshelves full of Christie hardcovers. Last summer, when my book club decided to read mysteries all summer, we knew we had to include a classic Christie and chose Murder on the Orient Express. I enjoyed it so much, that I looked for more of her books to read and enjoy.

And Then There Were None is my new favorite (granted, favorite of 2) Agatha Christie mysteries. The woman is the queen of crime for a reason – her mysteries are complex without being confusing, and it is great fun to attempt to solve the mystery as it is unfolding. Unlike Orient Express, which deals mostly with Detective Poirot interviewing suspects after a murder, in There Were None, the crime is being committed over the course of the book and the characters must take up the mantle of amateur sleuths as they are being killed one by one while trapped on an island a mile off the English coast.

I love that Christie provides so many clues and insights into what is going on, but still leaves a person guessing as to which of the 10 guests is not really a guest – it’s a great example of a “locked room” mystery and one that I highly recommend! Hopefully in the near future I’ll have a chance to watch the BBC adaptation and be able to compare it to the book.

Rating: 9 out of 10 stars

Edition: Paperback • $13.99 • 9780062073471 • 247 pages • first published in 1939, this edition published January 2011 by Harper Paperbacks • average Goodreads rating 4.23 out of 5 • read in September 2017

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And Then There Were None

Classics, Fiction, Mystery

Murder on the Orient Express by Agatha Christie

Just like A Study in ScarletMurder on the Orient Express was one of the Modern Readers’ Magical Mystery Tour books from last summer. Every since I saw The Mousetrap, one of Agatha Christie’s plays, and watched the Doctor Who episode that includes Agatha as part of the storyline, I’ve wanted to read one of her famed mysteries.

8 - July 2016 - Murder on the Orient Express

Synopsis

Just after midnight, a snowdrift stopped the Orient Express in its tracks. The luxurious train was surprising full for the time of the year. But by the morning there was one passenger fewer. A passenger lay dead in his compartment, stabbed a dozen times, his door locked from the inside.

Review

For years I wondered why Agatha Christie had such an appeal, until my father-in-law gave my husband and I tickets to see the stage production The Mousetrap in Philadelphia one weekend. And I now know why she is the queen of mystery writing. Her plot and pacing are superb – it is easy enough to follow along, the writing in her books and the dialogue in the play made you feel like you were in the hotel/on the train with the inspector as they attempt to solve the mystery.

Christie reveals enough details and suspicious that the reader can attempt to solve the mystery themselves, but she also allows for enough wiggle room for you to eventually be surprised by the final twist without feeling completely blindsided. While I have not been a mystery reader for a terribly long time (this could probably be considered my first true mystery novel, save for a Patterson novel I read shortly after college), I have quickly come to appreciate the differences in storytelling required for a good mystery versus a good novel.

Suspense is key, but in moderation. If the crime is committed at the start, then there should be enough background build up for each character that it doesn’t feel procedural. If crimes are continuing to be committed, it should feel like at least one character’s life is still under threat.

After reading Murder on the Orient Express, I immediately went out and purchased more Agatha Christie books – they make for a delightful, quick, beach or summer read and I have enjoyed them immensely.

Rating: 8 out of 10 stars

Edition: Paperback • $13.99 • 9780062072495 • 265 pages • originally published in 1934, this edition published January 2011 by Harper Paperbacks • average Goodreads rating 4.15 out of 5 • read in June 2016

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Classics, Fiction, Mystery

A Study in Scarlet by Sir Arthur Conan Doyle

Last summer, my book club, the Modern Readers, decided to go on a magical mystery tour, reading one contemporary, one Agatha Christie and one Sherlock Holmes mystery. We had a heck of a lot of fun and we will definitely do it again at some point!

9 - August 2016 - Sherlock

Synopsis

Though endlessly reinterpreted, reinvented, and imitated, the Sherlock Holmes stories have never been surpassed. Sporting his signature billowing coat and pipe in hand, the genius investigator Holmes captivates readers with his alluring melancholy and superhuman intuition, while his partner, Dr. Watson, remains ever the perfect foil, a classic Victorian gentleman with brilliant intellect. Set in the seductive world of Victorian London, the stories of Holmes and Watson live on, as immediate and original in our time as in their own.

Review

When the Modern Readers decided to embark on a Magical Mystery Tour of a summer, we thought that we’d be ending the summer with what would be our favorite of the lot. We all loved the Guy Ritchie/Robert Downey Jr. movies, we were a 50/50 split on the Cumberbatch mini series, but we figured that the source material would have to be great to inspire so many revisits and retellings.

But it wasn’t. And we all agreed that it wasn’t what we anticipated, it didn’t live up to our lofty expectations for it. We concluded that a good mystery lets you hypothesize, come to your own conclusion before the “big reveal!” Mystery writing, for all its nuances, really is formulaic – and it needs to be for a reader to fully engage in what they’re reading. Sir Arthur’s Sherlock doesn’t even attempt to let you try to solve the mystery with him. You’re given all the facts, not potential suspects, and then an extremely complicated backstory that even the great and wonderful Sherlock should never have been able to deduce as a means of explaining why the perpetrator did what they did.

There was no following along, no reasonable ability to follow Sherlock’s thought pattern. While this is understandably Sherlock’s MO, which we all knew going in as somewhat respectable Sherlockian aficionados, but in film and television, it’s easier to suspend believability and reality.

Rating: 5 out of 10 stars

Edition: Paperback • $9.00 • 9780140439083 • 192 pages • originally published in 1886, this edition published October 2001 by Penguin Books • average Goodreads rating 4.15 out of 5 • read in August 2016

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Sherlock Holmes