Classics, Fiction, Mystery

Murder on the Orient Express by Agatha Christie

Just like A Study in ScarletMurder on the Orient Express was one of the Modern Readers’ Magical Mystery Tour books from last summer. Every since I saw The Mousetrap, one of Agatha Christie’s plays, and watched the Doctor Who episode that includes Agatha as part of the storyline, I’ve wanted to read one of her famed mysteries.

Synopsis

Just after midnight, a snowdrift stopped the Orient Express in its tracks. The luxurious train was surprising full for the time of the year. But by the morning there was one passenger fewer. A passenger lay dead in his compartment, stabbed a dozen times, his door locked from the inside.

Review

For years I wondered why Agatha Christie had such an appeal, until my father-in-law gave my husband and I tickets to see the stage production The Mousetrap in Philadelphia one weekend. And I now know why she is the queen of mystery writing. Her plot and pacing are superb – it is easy enough to follow along, the writing in her books and the dialogue in the play made you feel like you were in the hotel/on the train with the inspector as they attempt to solve the mystery.

Christie reveals enough details and suspicious that the reader can attempt to solve the mystery themselves, but she also allows for enough wiggle room for you to eventually be surprised by the final twist without feeling completely blindsided. While I have not been a mystery reader for a terribly long time (this could probably be considered my first true mystery novel, save for a Patterson novel I read shortly after college), I have quickly come to appreciate the differences in storytelling required for a good mystery versus a good novel.

Suspense is key, but in moderation. If the crime is committed at the start, then there should be enough background build up for each character that it doesn’t feel procedural. If crimes are continuing to be committed, it should feel like at least one character’s life is still under threat.

After reading Murder on the Orient Express, I immediately went out and purchased more Agatha Christie books – they make for a delightful, quick, beach or summer read and I have enjoyed them immensely.

Rating: 8 out of 10 stars

Edition: Paperback • $13.99 • 9780062072495 • 265 pages • originally published in 1934, this edition published January 2011 by Harper Paperbacks • average Goodreads rating 4.15 out of 5 • read in June 2016

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Murder on the Orient Express

 

Classics, Fiction, Mystery

A Study in Scarlet by Sir Arthur Conan Doyle

Last summer, my book club, the Modern Readers, decided to go on a magical mystery tour, reading one contemporary, one Agatha Christie and one Sherlock Holmes mystery. We had a heck of a lot of fun and we will definitely do it again at some point!

Synopsis

Though endlessly reinterpreted, reinvented, and imitated, the Sherlock Holmes stories have never been surpassed. Sporting his signature billowing coat and pipe in hand, the genius investigator Holmes captivates readers with his alluring melancholy and superhuman intuition, while his partner, Dr. Watson, remains ever the perfect foil, a classic Victorian gentleman with brilliant intellect. Set in the seductive world of Victorian London, the stories of Holmes and Watson live on, as immediate and original in our time as in their own.

Review

When the Modern Readers decided to embark on a Magical Mystery Tour of a summer, we thought that we’d be ending the summer with what would be our favorite of the lot. We all loved the Guy Ritchie/Robert Downey Jr. movies, we were a 50/50 split on the Cumberbatch mini series, but we figured that the source material would have to be great to inspire so many revisits and retellings.

But it wasn’t. And we all agreed that it wasn’t what we anticipated, it didn’t live up to our lofty expectations for it. We concluded that a good mystery lets you hypothesize, come to your own conclusion before the “big reveal!” Mystery writing, for all its nuances, really is formulaic – and it needs to be for a reader to fully engage in what they’re reading. Sir Arthur’s Sherlock doesn’t even attempt to let you try to solve the mystery with him. You’re given all the facts, not potential suspects, and then an extremely complicated backstory that even the great and wonderful Sherlock should never have been able to deduce as a means of explaining why the perpetrator did what they did.

There was no following along, no reasonable ability to follow Sherlock’s thought pattern. While this is understandably Sherlock’s MO, which we all knew going in as somewhat respectable Sherlockian aficionados, but in film and television, it’s easier to suspend believability and reality.

Rating: 5 out of 10 stars

Edition: Paperback • $9.00 • 9780140439083 • 192 pages • originally published in 1886, this edition published October 2001 by Penguin Books • average Goodreads rating 4.15 out of 5 • read in August 2016

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Sherlock Holmes