I don’t remember exactly how I wound up with the advance reading copy (ARC) of Freya, but it definitely had my name written all over it – from my obsession with Norse mythology, to a badass woman on the cover, I was definitely going to inhale this book.
Freya is myth. She is legend. And she’s about to make one hell of a comeback.
Sara Vanadi is more than she appears to be. In her prime, she was Freya, the Norse goddess of love, beauty, war, and death. Now all that’s left of her legacy is herself. Her power comes from belief, and for an ancient goddess in the 21st century, true believers are hard to come by.
She’s been lying low for a few decades, when all of a sudden a shadowy corporation extends an offer: join them and receive unlimited strength and believers—or refuse and be destroyed. Sara chooses neither; she flees with the help of a new friend named Nathan. With a modern power rising that wishes to bend the divine to its will, Sara decides to fight back—but first she needs some new clothes.
First things first – Freya is a debut novel by a cool dude about a badass woman. I always check out reviews of books before reading them, but this time, I was the first to post a “review” of sorts on Goodreads and in going back to read the new reviews since the book was released in March (I read it in November), I have to say, I understand the complaints, but the pros outweigh the cons and the promise of more outweighs what the first book may have lacked.
Freya is the perfect book for young adults who spent their childhood reading Rick Riordan’s Percy Jackson series and are looking for a mythology book that is a touch more grown up. The pacing is quick, the plot moves along at a steady pace, and the supporting cast of characters is richly described. While they may not yet be full realized, there is a lot of opportunity for them to grow and for the readers to get to know the various deities and mythologies better.
Sara/Freya is a fabulous narrator – in a debut, first in a series, YA fantasy, the most essential part of ensuring readership is to have a fully realized main character and Sara/Freya is such a character. And while some may complain about a pretty big structural point, that Freya is in first person, and there are certain things about Freya, what she is thinking, her background, and such that we as readers are not privy to, I personally enjoy the suspense and delight in the “not-knowing” aspect of the final plan to take down the big bad corporation. Freya marries the best parts of first and third person narration spectacularly.
I have only two complaints, and one is a silly one at that. The first, if Nate is going to be our main supporting actor, he needs a bit more of a role than simply “worshipper of Freya.” And the second, the silly one, the name Sarah, my own name, should always have an “H” at the end.
Rating: 9 out of 10