Hercule Poirot #10
Just like A Study in Scarlet, Murder on the Orient Express was one of the Modern Readers’ Magical Mystery Tour books from last summer. Every since I saw The Mousetrap, one of Agatha Christie’s plays, and watched the Doctor Who episode that includes Agatha as part of the storyline, I’ve wanted to read one of her famed mysteries.
Just after midnight, a snowdrift stopped the Orient Express in its tracks. The luxurious train was surprising full for the time of the year. But by the morning there was one passenger fewer. A passenger lay dead in his compartment, stabbed a dozen times, his door locked from the inside.
For years I wondered why Agatha Christie had such an appeal, until my father-in-law gave my husband and I tickets to see the stage production The Mousetrap in Philadelphia one weekend. And I now know why she is the queen of mystery writing. Her plot and pacing are superb – it is easy enough to follow along, the writing in her books and the dialogue in the play made you feel like you were in the hotel/on the train with the inspector as they attempt to solve the mystery.
Christie reveals enough details and suspicious that the reader can attempt to solve the mystery themselves, but she also allows for enough wiggle room for you to eventually be surprised by the final twist without feeling completely blindsided. While I have not been a mystery reader for a terribly long time (this could probably be considered my first true mystery novel, save for a Patterson novel I read shortly after college), I have quickly come to appreciate the differences in storytelling required for a good mystery versus a good novel.
Suspense is key, but in moderation. If the crime is committed at the start, then there should be enough background build up for each character that it doesn’t feel procedural. If crimes are continuing to be committed, it should feel like at least one character’s life is still under threat.
After reading Murder on the Orient Express, I immediately went out and purchased more Agatha Christie books – they make for a delightful, quick, beach or summer read and I have enjoyed them immensely.
Mysteries are not usually my first choice to read, but I definitely enjoyed my first Agatha Christie novel! I was not sure entirely what to expect but when I told people I was reading it they said that it would be pretty easy to figure out the conclusion. However, I consciously tried to not obsess over who the murderer was because I wanted to enjoy the thrill of the book. Therefore, I enjoyed the suspense and being surprised with each red herring and revelation.
Murder on the Orient Express is definitely a classic kind of mystery. While I don’t usually read mysteries, I have watched my fair share of crime shows (favorites being NCIS and Law & Order). The TV shows are always trying to be bigger, bolder, and better than the last season, but this book was just a straight-up whodunit. It presented the facts of the crime, the evidence of the passengers, and the detective’s analysis of the all aspects of the crime. And it was fascinating.
The story was never dull and I was reading through it quite rapidly, occasionally trying to work out who was responsible, but never quite getting it right. Which was actually the most fun part of reading it. Of course it seemed so obvious after I finished it, and it was a similar feeling to anytime I read Sherlock Holmes stories and Sherlock points out everything Watson or the reader missed as if it truly is the most obvious thing in the world. If you want to start reading mysteries or have been wanting to read your first Agatha Christie novel, I definitely recommend Murder on the Orient Express as a great one with which to start!
Rating: 8 out of 10 stars