I love any book set in Europe during World War II, it is by far one of my favorite time periods to read about. I requested the audiobook from the library to listen to while driving to and from work and I wound up enjoying it so much, I bought the actual book as well.
After disgracing themselves at a high society New Year’s Eve party in Philadelphia in 1944, Madeline Hyde and her husband, Ellis, are cut off financially by his father, a former army colonel who is already ashamed of his son’s inability to serve in the war. With his best friend, Hank, Ellis decides that they only way to regain his father’s favor is to succeed where the Colonel once very publicly failed – by hunting down the famous Loch Ness monster. Maddie reluctantly follows them across the Atlantic, leaving her sheltered world behind.
The trio find themselves in a remote village in the Scottish Highlands, where the locals have nothing but contempt for the privileged interlopers. Maddie is left on her own at the isolated inn, where food is rationed, fuel is scarce, and a knock from the postman can bring tragic news. Yet she finds herself falling in love with the stark beauty and subtle magic of the Scottish countryside. Gradually she comes to know the villagers, and the friendships she forms with two young women open her up to a larger world than she knew existed. Maddie begins to see that nothing is as it first appears: the values she holds dear prove unsustainable, and monsters lurk where they are least expected. As she embraces a fuller sense of who she might be, Maddie becomes aware not only of the dark forces around her but of life’s beauty and surprising possibilities.
While I had never read any of Sara Gruen’s books, well, still have never read as I listened to this one, I have seen the film adaptation of Water for Elephants and enjoyed her story-telling technique. Typically, when I choose a book to listen to in the car while driving back and forth from work, I pick one that is sitting on my shelf, but that I just haven’t had the chance to read yet. With At the Water’s Edge I decided to go for a new book, in keeping with my love of women’s World War II stories. Plus, it starts in the high society quarter of Philadelphia (Rittenhouse Square), near where my grandmother lived as a young girl during World War II.
Maddie, main character of At the Water’s Edge, starts off as the agreeable, and mostly clueless wife of a charismatic young man, Ellis, born into great wealth. Her family is tainted by scandal via her mother and his through his perceived inability to serve in the war. Together, with Ellis’ friend Frank, they set off in search of the Loch Ness monster to reclaim their rightful place in society. They find themselves sheltered in a rundown inn quite near the loch where the manager is surly and the young women who work there don’t think much of the trio’s high society ways. Over the course of a few weeks, Ellis and Frank habitually leave Maddie to her own devices as they search out the monster and Maddie befriends the two women who work in the inn, Anna and Meg (who are by far the best characters in the book).
At the Water’s Edge is what I have come to discover is stereotypical woman’s fiction. Shortly into their adventure, Maddie realizes that her husband is a world class asshole and she attempts to assert her independence in any way she can. In this sense, Maddie goes from being the docile little sheep being led around blindly by Ellis and Frank (she crossed the Atlantic in the middle of the war because they suggested it) to standing on her own two feet and defending those she has come to care about. She eschews her high society background and falls in love with the Scottish Highlands, and the grouchy inn manager to boot. This shouldn’t be a surprise – it was bound to happen or there would be no story – Nessie only exists in our imaginations.
Sara Gruen’s work reminds me of that of Sarah Addison Allen (are we noticing a pattern of Sarah’s here?) in the sense that it was a breezy read/listen, the characters were intriguing, and the plot was predictable, but not to the point of boredom or irritation. The best scenes are the unexpected ones, particularly those involving the Canadian lumberjacks. Maddie, Anna, and Meg are all real, emotional characters that waver occasionally on being two-dimensional, but their friendship is believable and that is the most impressive part of the book. Writing female relationships is more challenging than writing romantic ones and Gruen does so here with an expert hand.
Rating: 6 out of 10 stars