Uprooted came to me highly recommended by a former coworker – she and I have very similar tastes (we call each other book-twins), so I figured it would be a sure thing.
Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life.
Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the wood.
The next choosing is fast approaching, and Agnieszka is afraid. She knows everyone knows that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things Agnieszka isn’t, and her dearest friend in the world. And there is no way to save her.
But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.
Uprooted is the story that I always expected to come from the annals of the tradition of storytelling embraced by Eastern Europeans. The storytelling is rich in detail, the world truly comes alive off the pages, and the characters are complex and rich, but the plot? Logic structure? Eh, not so much. Life often takes many twists and turns and is more akin to a serialized television show with numerous story arcs than it is to a stand-alone 300+ page novel, but that doesn’t mean I want the storytelling of the novel to be like that of real life. I want consistency and flow.
At the start of Uprooted, and honestly for the first half of the book, it is the story of Agnieszka, and how she is chosen against her will to live with the “dragon” for 10 years without any access to her family or loved ones. When she starts to suffer from Stockholm Syndrome, the story suddenly switches gears to focus on the far off world of the royal family. And when things start to get stale at the palace, the story takes a 180 again and goes back into forest which ties back to the beginning in the sense that we’ve always known the forest to be in some way shape or form sentient, but not malicious as it becomes towards the end of the story.
Honestly, with all the direction changes, I genuinely don’t remember how the story ended. I haven’t remember since the day after I finished it.
Rating: 8 out of 10 stars
Edition: Paperback • $16.00 • 9780804179058 • 464 pages • originally published May 2015, this edition published March 2016 by Del Rey Books • average Goodreads rating 4.13 out of 5 • read in April 2016